Lord Nelson has won many fans over the last several years with their spirited live performances and serious musical chops. Those fans should raise a glass, because they’re about to get their ears blown off with the new full-length album Through the Night, set for a late spring release. The album possesses a depth of sound that can only come from the frequent addition of piano, organ, and horns to guitar-based rock. This set of songs, written on the road and between tours, explores dark themes of relationships, the political climate of the country, and what it means to spend your days in a van, traveling the highways of America.

Musically, the songs don’t hesitate to dive deep into grooves, peeling off that outer layer of song craft to illustrate a wide palate. With haunting guitars, a driving rhythm section, and big chorus’, this album represents a thin coat of finish on a hard worn sound.  The lead-off single “Tail Lights” grapples with the joys and challenges of the road for those on it and those left at home. Other standout tracks include the powerful “Second Chances,” the zeitgeist commentary of “Southern Discomfort” and “Safety Meeting.” A moment of levity with the swamp tinged “Good Time” provides a snapshot into the simple pleasures.

Produced over the last year by Dave Stipe (Rockfish Music) at Monkeyclaus Studio in Nelson County, VA, the record has a full, Rock’n’Roll identity, heavily laced with Americana and Soul. Whether it’s a fat horn section under a slide guitar riff, propelling it powerfully forward, or a harmony vocal giving the song an extra dimension, the album illustrates the power of a band bringing lyric driven songs to full expression. As anyone who has seen their live show will tell you, while there are several excellent solos and impressive individual moments, the thing that gets you – the thing that keeps you coming back – is that full sound. Sonically, the band is greater than the sum of its parts, in the best possible way.

The unified musicianship of the band serves as a solid home base for the searching lyrics of lead singer and guitarist Kai Crowe-Getty. In addition, the band’s multi-instrumentalist, Henry Jones, takes a break from keys and trombone to jump on the mic for a few tracks, bringing an R&B urgency. The current lineup includes Jones’s brother Calloway on lead guitar, Andrew Hollifield on bass, and Johnny Stubblefield behind the sticks. With a full tour of the east coast and points west in the works, this is a band in command of their sound, bringing strong songs in hard times to towns across the country. Keep your head up.


In the fall of 2015, Lord Nelson independently released their debut album, The County. Since then they have been playing shows consistently throughout Virginia, the east coast, and as far west as Colorado. While averaging 100+ shows in 2016 and 2017, Lord Nelson also recorded their second full-length album, Through the Night, slated for release in May, 2018.

Lord Nelson’s festival appearances include Lockn’ Music Festival in 2015, The Festy Experience in ‘15 and ‘16, Pasture Palooza 2016, and Hoopla 2017. They have played alongside emerging regional bands and nationally touring acts, including American Aquarium, Susto, members of Deer Tick, Sons of Bill, London Souls, The Hip Abduction, People’s Blues of Richmond, and The Trongone Band.

Lord Nelson is gearing up for an extensive summer tour to promote their new record, expanding their range to over 20 states. They will return to the studio at the end of summer to record a new EP.

Press Quotes

“Though only five on the stage, they generate enough sound for double that, and that’s just the music coming out of them and creating a ruckus. Whether it’s harmony driven, southern rock guitar lickin’, or foot stompin’ porch pickin’, they are at home in the music they make – unique, almost spiritual, and powerful.”
-Nashville 360
“Their live show can’t help but draw you in to the music, whether you’re a Virginia native or not. By the end of their set, you’ll wish you were.”
-Nashville 360
“Each song’s foot-stomping rhythms are catchy as hell, without being derivative or simplistic. It’s party music in the best sense of the phrase”
-Cville Weekly